This is most certainly the first ever movie I ever watched from the list of Wes Anderson's filmography. To those, who are not familiar of Wes Anderson's work, the man has in what may be in all his films, has a bewildering sense of strange humor that sometimes is confusing but at times works for that essential period. And since this only movie I like of his, has reached a anniversary mark of ten years since the film’s release I figured why not watch this great comedy furthermore see if it still lives up to its name. I strangely remember watching this film ten years ago saving the film on a cable network aka Spectrum satellite for which was my parents and brother's final time to ever purchase anything that's related to Dish Network and Direct TV, and to be honest I was just loving the role Ralph Fiennes was portraying and thought that it was the most brilliant comedic role I've ever seen.
In the 1930's the Grand Budapest Hotel is a popular European Ski Resort, presided over by concierge Gustave H. (Ralph Fiennes). Zero (Tony Revolori), a junior lobby boy, becomes Gustave's friend and protege. When one of Gustave's elderly lovers dies mysteriously, Gustave finds himself the recipient of a priceless painting and the chief suspect in her murder.
Now, I haven't seen a good portion of all of Wes Anderson's films, though in fairness some of them were all in either cable previews list, either way I didn't get much into his work because they somewhat in my stand point looked a bit weird or wasn't sure what to make of it such as a film where Bill Murray is seeking revenge on a shark. Furthermore, it wasn't out of a sense of disrespect or wanting to get into his work I just looked at most of his previewed films and thought that they weren't all interesting for me. That is until I got finding the Grand Budapest Hotel and was deciding in my best interest to give this movie a shot and really it was Ralph Fiennes performance that was the main reason why I dug this movie from start to finish. The film has a grand total of seventeen actors combined throughout most of them are in a grand sense cameo appearance. Anderson himself customarily employs a troupe of longtime collaborators, actors like Bill Murray, Adrian Brody, Edward Norton, Owen Wilson and even Jeff Goldblum, have worked on or more of his projects. According to Brody, who said that the most significant challenge was balancing the film's comedy with the otherwise solemn. If you really need a reason as to why I would recommend anyone to sit down and watch all two hours of Grand Budapest Hotel it's most certainly because of Ralph Fiennes performance as this bizarrely entertaining, yet ahead of its time, concierge M. Gustave. Mainly because of his out of this world humor unexpected punch lines that still give me a smile every time I watch him on screen and I believe during pre-production Fiennes was trying to get himself out of the villains portrayals from all the Harry Potter films he appeared in, and although he wasn't sure on how to approach the character, to me Fiennes was the main reasons as to why I never watched all of Andersons films until this film came along. And it isn't just Fiennes portrayal in the film countless actors like Adrian Brody who does an excellent antagonist almost out of the silent films with the crazy mustache, Edward Norton does a great job as well and even the newcomer Tony Revolori who plays Fiennes pupil furthermore has great facial expressions whenever Ralph says the most unexpected things through the course of the movie. Even after ten years of the film’s release, I still say that the film alone stands the test of time and maybe now I do need to make a point and watch some of Wes Anderson's filmography though not all of them just a few in terms of testing out the waters. But more importantly, I still rank this as a comedy of the 2010's and if you’re like me whose a bit unsure of Wes Anderson's work I would say to try this film to be your first obviously because of Ralph Fiennes performance but most importantly, it's a good stepping stone of wanting to get your feet wet in a sense of wanting to try and watch some of Wes Andersons work.